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Presentation
Presentation
The concept of advertising has adapted to that of globalization, that of the democratization of tools and also to the diversity of the media. Advertising today is brand communication, content, mobile, programmatic, social, native, etc. We live in a context where advertising is "increased". Advertainment, viral, buzz, tryvertising, branded content, neuromarketing, advergaming, ambush, growth kacking, prankvertising, experiential marketing, cross-device, transmedia are some concepts in advertisers' communication plans. In all this texture of concepts, advertising and commercial strategies, audiovisual advertising plays an important role in communication and relationship with audiences.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 6
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Year | Nature | Language
Year | Nature | Language
2 | Mandatory | Português
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Code
Code
ULHT160-24613
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
The analysis of the different times of advertising using campaigns that mark the time and the context in which they are made; the investigation of relevant campaigns in the advertising world; reflecting on the role of the director in the campaigns shown and experimenting with the different ways of approaching an advertising campaign will allow students to achieve their goals and increase their skills in the area.
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Objectives
Objectives
- Know the current reality of the advertising industry and business in the 19th century. XXI.
- Analyze advertising campaigns from a creative point of view.
- Understand the means and teams involved in an advertising film.
- Know the cinematographic and technological language applied to advertising.
- Concepts of narrative and audiovisual aesthetics.
- Concepts of audiovisual production.
- Creative processes in advertising cinema.
- Thinking about and producing an advertising campaign.
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Teaching methodologies and assessment
Teaching methodologies and assessment
This course is characterised by an active methodology centred on challenges. (Filmeu Pedagogical Framework Samsara). The student, based on their interests, prioritises the adequacy of their objectives, guided by the teacher. The teacher is responsible for monitoring, encouraging and motivating the participants' learning process. The student is invited to respond to a set of challenges presented on a digital platform, where the entire ongoing research process is recorded.
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References
References
SULLIVAN, Luke, (1998), Hey Whipple, squeeze this - A guide to creating great ads: ed. Wiley
RABIGER, Michael. (2003) Directing film techniques and aesthestics, Focal Press.
KATZ, Steven d. (1991) Film directing, Shot by Shot, visualizing from concept to screen, Focal Press.
HART, John (2008) The Art of the Storyboard A Filmmaker’s Introduction. Published by Elsevier.
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Office Hours
Office Hours
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Mobility
Mobility
No