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Class Image and (in) Context

  • Presentation

    Presentation

    The course seeks to give students a perspective on art in its different contexts: the world of the audience; the view of the audience; the artist's work; the artist's world; the historical and sociological context.
  • Code

    Code

    ULHT722-22346
  • Syllabus

    Syllabus

    1. The public - the audience
    
    2. The contemporary
    
    3. The art system
    
    4. The artist's work
    
    5. The mediators
    
    6. The production contexts in historical, social and cultural terms
    
    8. The work of art in its production context: case studies.
  • Objectives

    Objectives

    Be able to analyze an image and fit it in its contemporary context or in the historical and socio-cultural context in which it was created.
  • References

    References

    BERGER, Ways of seeing. Londo, Penguin. 1972

    BOYLAN, Alexis L. Visual Culture. Cambridge MA. MIT Press. 2020

    BURNETT, Ron. How images think. Cambridge MA, MIT Press. 2004

    COSTELLO, Diarmuid (Org) The life and death of images: ethics and aesthetics. London UK, Tate Publishing. 2008

    GROYS, Boris. Going public. Berlin, Sternberg Press. 2010

    JENKS, Chris. Visual culture. NYC, Routledge. 1995

    MELO, Alexandre. O sistema da arte contemporânea. Lisboa, Documenta-Sistema Solar, 2012

    MIRZOEFF, Nicholas. An introduction to visual culture. NYC, Routledge. 1999

    MONDZIAN, Marie-josé. Homo spectator. Lisboa, Orfeu Negro. 2015

    MURRAY Thimothy. Digital baroque. Mineapolis USA, University of Minnesota Press. 2008

    PINTO, José Gomes (org). Art and Photography in media environments. Lisboa, Ed. Universitárias Lusófonas. 2016

    RAMPLEY, Mathew. Exploring visual culture. UK, Edinburgh Univ. Press. 2005.

    RANCIÉRE, Jacques. O espectador emncipado. Lisboa, Orfeu Negro. 2010

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