filmeu

Class Previsualization

  • Presentation

    Presentation

    Curricular unit within the scope of the various stages of carrying out an audiovisual project.

  • Code

    Code

    ULHT2174-1-15921
  • Syllabus

    Syllabus

    In this CU the student will develop skills in visual realization by introducing planning, floor maps and storyboards.
    Experimentation in the areas of assembly/editing and post production.
    Using experimentation and visualization of scenic space, the cast, script analysis and lesson plans and different points of view, as well as the alignment of plans.

  • Objectives

    Objectives

    Students should, at the end of the CU, have the capacities for the various stages of completion, from film shooting to post-production. They should be familiarized with the recognition of the different methods of alignment work plans, aesthetic choices and viewpoints, as well as the ability to analyze drama texts, to view the screen, and develop the ability to communicate through visual coherence and planning.

  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Exercises, testing and implementation of practical work.
    Continuous assessment (contribution in class and work of argumentation): 30%
    Engraving of scenes in different scenic spaces (presentation): 30%
    Final work: 40%

  • References

    References

    BAUDRILLARD, Jean (1991), Simulacros e Simulação. Lisboa, Relógiod¿Água.
    BARSAM RICHARD - Non Fiction Films - Theory and Criticism
    BUSCH, NOEL (1973) - Praxis do Cinema Lisboa, Estampa.
    FIELD, Syd (1982) - SCREENPLAY - The Foundations of Screenwriting - NOVA YORK / Dell Publishing
    KATZ, Steven D. (1992) ¿ Film Directing, Cinematic motion ¿ Studio City CA, Michael Wiese Produtions
    KATZ, Steven D. (1991) ¿ Film Directing, shot by shot ¿ Studio City CA, Michael Wiese Produtions
    MANBAR STEPHEN (1974) - Cinema Verité in America, Studies in UncomtroledDreamaers ¿ Boston / MIT Press
    MCKEE, Robert (1997)- STORY: Substance, Structure, Style and Principles of Screenwriting ¿ Nova York / Dell Publishing
    MARTIN, Marcel (1994) LE LANGAGE CINÉMATOGRAPHIQUE Paris / les editions du cerf
    SALT, BARRY (1983) - Film Style and Technology, History and Analysis Londres / London Starfors.

  • Office Hours

    Office Hours

    Nome do docente  

    Horário de atendimento

    Sala

     

     

     

     

     

     

     

     

     

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