-
Presentation
Presentation
Course unit in the scope of work between director and actor.
-
Class from course
Class from course
-
Degree | Semesters | ECTS
Degree | Semesters | ECTS
Master Degree | Semestral | 10
-
Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
-
Code
Code
ULHT2174-1-15922
-
Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
-
Professional Internship
Professional Internship
Não
-
Syllabus
Syllabus
In this curricular unit, the student shall develop skills in the area of direction of actors through the introduction to
the actors¿ resources, direction styles, script analysis, casting, decoupage and mise-en-scène.
- Actors¿ resources (exercises)
- Directors'styles (examples)
- Casting
- Script analysis and research (exercises)
- Visualization work (decoupage, mise-en-scène) (exercises)
- Rehearsals (exercises)
-
Objectives
Objectives
At the end of CU, students should be trained for the different stage of directing performance, recognizing the various methods of working with actors, casting strategies, ability to analyze the dramaturgy of the texts, visualization for shooting screen and ability to communicate with the performer.
-
Teaching methodologies and assessment
Teaching methodologies and assessment
Exercises, rehearsals and research work.
- Continuous assessment (participation in classes and homework): 30%
- Final paper I (presentation): 30%
- Final paper II (file): 40%
-
References
References
Barba, E. On directing and dramaturgy : burning the house. London ; New York, Routledge.
Brook, P. (1968). The Empty Space.
Grotowski, J. (1968). Towards a poor theatre. New York, Simon and Schuster.
Katz, S. D. (1991). Film directing shot by shot : visualizing from concept to screen. Studio City, CA, Michael Wiese Productions in conjunction with Focal Press.
Stanislavsky, K. (1980). An actor prepares. London, Eyre Methuen.
Strasberg, L. and E. Morphos (1988). A dream of passion : the development of the Method. London, Bloomsbury.
Thomas, J. M. (2009). Script analysis for actors, directors, and designers. Amsterdam ; Boston, Focal Press/Elsevier.
Weston, J. (1996). Directing actors : creating memorable performances for film and television. Studio City, CA, M. Wiese Productions.
Zarrilli, P. B. and P. Hulton (2009). Psychophysical acting : an intercultural approach after Stanislavski. London ; New York, Routledge.
-
Office Hours
Office Hours
Nome do docente
Horário de atendimento
Sala
-
Mobility
Mobility
No