Class Contemporary Artistic Perspectives III

The objective of the course is to provide students with contact with artistic institutions, mediators and artists, taking into account the establishment of relationships between their learning and the professional environment in which they will be inserted. The experience of organizations and artists will thus constitute an important added value to allow the assessment of possibilities taking into account the projects to be developed by students, both in academic and professional contexts.

1.Most relevant Portuguese artists
2.Portfolio analysis and discussion
3.The mediation of the arts (promotion and dissemination)
4.Curatorship and programming
5.The art market
6.The main exhibitions, biennial, triennial
7.Visits to contemporary art exhibitions
8.Dating | debate with artists, curators and cultural agents
9.Development of individual works on artists, works, exhibitions or cultural institutions.

Relationship with the artistic and cultural community through weekly visits to cultural facilities.

AAVV. Marte 4: da criação artística à intervenção espacial. Lisboa: AEFBAUL, 2011.

AGAMBEN, Giorgio. O que é o Contemporâneo? E Outros Ensaios. Chapecó: Argos, 2010.

BELTING, Hans. Contemporary Art as Global Art: a Critical Estimate. Hans Belting and Andrea Buddensieg (eds.); The Global Art World, Ostfildern 2009

BOCK, Jurgen. Da obra ao texto: diálogos sobre a prática e a critica na artecontemporânea. Lisboa: Ed. CCB|MC, 2002

MELO, Alexandre. Arte e artistas em Portugal. Lisboa: Bertrand Ed. | Instituto Camões, 2007.

MELO, Alexandre. Sistema da arte contemporânea. Lisboa: Documenta, 2012

PÉREZ, Miguel von Hafe. Propostas da arte portuguesa. Porto: Ed. Serralves, 2007

SMITH, Terry. What is contemporary art? Chicago: The University of Chicago Press, 2009.

WARD, Ossian. Ways of Looking. London: Laurence King Pub, 2014