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Class Illustration I

  • Presentation

    Presentation

    This UC allows an approximation to Scientific Illustration techniques, applied to artistic illustration.

  • Code

    Code

    ULHT722-17189
  • Syllabus

    Syllabus

    Scientific illustration - historical background

    The specific languages ¿¿of scientific illustration: representation characteristics and techniques

    Graphical representation strategies in observation drawing from real models: contour, proportion, perspective, figure-ground, chiaroscuro, texture and composition. The importance of sketching and finished drawing.

    Study of some graphic representation in illustration: experimentation with various media and materials.

    Practical studies on the representation of different types of scientific illustration: adaptation of the techniques for different illustration types and techniques.

    Two Artistic Illustration projects using techniques of Scientific Illustration, one being introductory and one of development.

  • Objectives

    Objectives

    To make known the history, context, methodologies and principles used in scientific illustration

    To present and develop through practical work, the elements of graphic language used in representation in scientific illustration

    To experiment and develop some of the techniques, graphic mediums and materials commonly used in Scientific Illustration

    To experiment these techniques, graphic mediums and materials in Artistic Illustration projects.

  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Active methodologies that articulate theory and practice and the construction of knowledge by students. In addition to traditional classes (expository, audiovisual) on the syllabus , the development of interdisciplinary artistic projects is proposed, involving students in social and environmental issues that go far beyond purely technical teaching. In addition to a permanent attitude of research and enquiry, learning by doing is encouraged. These methods are fundamental in the training of illustration artists, who must also develop a critical thinking about contemporaneity. The evaluation favours the formative dimension, through individual projects. Assessment criteria: Participation, attendance and cooperation (20%); Exploratory work in class or at home (20%); Realisation of an illustration project (60%).

  • References

    References

    Edwards, B. (2004). Color - A course in mastering the art of mixing colors. New York: Tarcher/Penguin

    Ravet-Haervermans, A. (2007). The art of botanical drawing - An introdutory guide. Portland, London: Timber Press

    Hodges, Elaine R. S. (2003). GNSI Handbook of Scientific Illustration. Second Edition. Wiley Publishers.

    Massironi, M. (1982). Ver pelo Desenho: Aspectos Técnicos, cognitivos, comunicativos. Lisboa: Edições 70

    Molina, Juan J. G. & Cabezas, L. & Copón, M. (2005). Los Nombres Del Dibujo. Madrid: Cátedra

    Wood, Ph. (1994). Scientific Illustration: A Guide to biological, zoological and medical rendering techniques, design, printing, and display. New York: Wiley and Sons

     

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