Docente
Inês Correia

Resume

EN_Ines Correia is a Senior Paper and Book Conservator and has a PhD (2014) in History of Art on the subject of manuscript archaeology. Between 1997 and 2018 worked as Book conservator for the safety and conservation of permanent Manuscripts collections in storage or exhibition.at National Archive of Torre do Tombo (ANTT) in Portugal. Has experience in national and international conservation projects for both public and private institutions including UNESCO, Levantine Foundatiom, Fundação Oriente, B.Safe and EXPM; as conservation specialist, represents Portugal at the European Research Center for Book and Paper Conservation-Restoration. Since 2010, belongs to IEM (Instituto de Estudos Medievais, FCSH, Univesidade Nova de Lisboa) and cooperates within interdisciplinary teams in scientific projects to increase medieval manuscripts knowledge and related conservation activity. She attended the doctoral year in Media Art at Universidade Lusófona (2017/18) and is the commissioner of the exploratory project LivrObjecto ¿ Anatomia e Arquitectura (www.livrobjecto.wordpress.com), whose events recorded since 2017 have already been hosted by the Library of Olivais, Art Library and Gulbenkian Archives, Galeria Diferença, Biblioteca de São Lázaro, Fábrica Braço de Prata and the National Museum of Contemporary Art in Chiado. At the moment is Head Conservator at the Design Museum (MUDE)|CML, Portugal and has particular coordination and curatiorial participation on Graphic Design Collections, developing collections preservation policy and supervising conservation and restoration programs, supervising and monitoring air conditioning installations and all necessary risk mitigation actions. The MUDE conservation department develops partnerships with several academic institutions to study design collections, characterize materials and host internships in the context of master's and doctoral studies. As coordinator and responsible for managing the collection, she develops the tools necessary to systematically record the physical state of design pieces and implements monitoring and prioritization programs. She is a guest lecturer by DELLI at Universidade Lusófona and teaches master's degree courses in design, also supervising students in their dissertations. She is a guest member of the design research unit, COW-Center for Other Worlds, and is part of the IDA-Iberian Design Archives Project, as coordinator and mediator.

Graus

• Doutoramento
  História da Arte
• Especialização pós-licenciatura
  Química Aplicada ao Património Cultural
• Licenciatura
  Conservação - Restauro
• Bacharelato
  Curso superior de conservação e restauro

Publicações

Artigo em revista (magazine)

• 2012-01, A imagem como instrumento de identidade , A figuração de São Jerónimo no manuscrito Bíblico ANTT, Lorvão 45

Artigo em revista

• 2024-08, A preliminary approach for blooming removal in polyurethane-coated fabrics, Conservar Património
• 2024, A preliminary approach for blooming removal in polyurethane-coated fabrics, Conservar Património
• 2022, The conservation of a Book of Hours in the use of Rouen - An interdisciplinary approach to understanding its multifaceted identity, Conservation Update: Publication of the ERC, 2/2022 (November)

Tese / Dissertação

• 2014, Estudo Arqueológico dos Códices Iluminados do Fundo Laurbanense

Capítulo de livro

• 2023, Synthetic Coatings in Fashion Collections: Identification and Preservation Issues. Invited submission., Handbook of Museum Textiles, 2, Wiley - Scrivener Publications
• 2023, Synthetic Coatings in Fashion Collections: Identification and Preservation Issues, Handbook of Museum Textiles, Vol.2, Scrivener Publishing LLC
• 2017, Archaeological study of the Iluminated Códices from the Portuguese medieval Monastery of Lorvão, Bookbindings: Theoretical Approaches and Practical Solutions, Brepols
• 2014, Capítulo 3: Preservar o seu arquivo de família, Arquivos de família: memórias habitadas Guia para salvaguarda e estudo de um património em risco, IEM – Instituto de Estudos Medievais (INPRINTOUT)

Artigo em conferência

• 2023-02-23, Mapping polyurethane coated fabrics and damages in fashion collections worldwide by optical microscopy and infrared spectroscopy. Semi-synthetic and synthetic textile materials in fashion, design and art, ICOM-CC Modern Materials & Contemporary Art and Textiles Working Groups. Joint Interim Meeting
• 2023-02-22, Mapping polyurethane coated fabrics and damages in fashion collections worldwide by infrared spectroscopy, ICOM-CC Semi-synthetic and Synthetic Textile Materials in Fashion, Design and Art
• 2023, Mapping polyurethane coated fabrics and damages in fashion collections worldwide by optical microscopy and infrared spectroscopy, Semi-synthetic and synthetic textile materials in fashion, design and art. ICOM-CC Modern Materials & Contemporary Art and Textiles Working Groups. Joint Interim Meeting
• 2020-12, How to Look at the Chronological Effect of Interventions in the Lifespan of Manuscripts, Book Conservation One Philosophy – Many Interpretations
• 2011-09-22, Between material conservation and identity preservation – the (sacred) life of medieval liturgical books., ICOM-CC 16th Triennial Conference Lisbon, Portugal
• 2011-04-24, Revelations of a 13th century Bible - from archaeological evidences to digital display, Care and Conservation of Manuscripts 13
• 2010-06-08, The Minimum Intervention - A quantitative approach to a subjective conservation term, International Seminar - Preserving documents science and restoration

Poster em conferência

• 2023-11-08, OH NO, NOT BLOOMING AGAIN! Assessing the influence of storage conditions in the reappearance of blooming on TPU coated fabrics, Future Talks 023.Materials Matter: Cold and Current Cases in the Conservation of the Modern

Catálogo de exposição

• 2023, "Um Arquivo de Design no MUDE - A Conservação da “Coleção Carlos Rocha" in O mundo vai continuar a não ser como era!, MUDE - Museu do Design e da Moda
• 2022, "'The world will go on being not quite as it was´ 100 years of Portuguese graphic design in the Carlos Rocha Collection", MUDE - Museu do Design e da Moda

Interpretação artística

• 2017, ‘Leitura’ e produção da exposição “descrito na linha de terra – voume I e II | Floresta de Ana Hatherly”, Galeria Diferença
• 1998, designer de peças de joalharia baseadas no património nacional; Museu de Marinha; Biblioteca Nacional, IAN/TT, Museu do Seixal; Monserrate; Quinta da Regaleira, Museu Regional de Arqueologia D. Diogo de Sousa, Archeofactu - (RE)CRIAÇÃO tanto na concepção e produção de objectos de joalharia contemporânea

Norma técnica

• 2024, Norma ISO 14416: 2003, Informaça~o e Documentaça~o , Requisitos para encadernaça~o de livros, de perio´dicos, folhetos e outros documentos em papel para uso nas bibliotecas e arquivos – Me´todos e materiais in “Novas Vertentes para a Normalização: o caso da área de conservação”, https://www.google.pt/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjbjp7yhqKEAxWRgf0HHXHaBusQFnoECB4QAQ&url=https%3A%2F%2Fwww.culturadigital.pt%2Fdocs%2Fbnp_fpais.pdf&usg=AOvVaw3kamAvtCq7W9HTHghJlzKT&opi=89978449