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Apresentação
Apresentação
This class is theoretical and practical, with an alternation between class presentations, demonstration and participatory methods.
The pedagogical objectives are:
a) Knowledge level:
- Define and characterize transmedia storytelling and transmedia marketing,
- Understand the key concepts associated with transmedia storytelling,
- Know several of the most significant examples of transmedia in different genres.
- Create awareness of different production possibilities within transmedia
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Disciplina do curso
Disciplina do curso
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Grau | Semestres | ECTS
Grau | Semestres | ECTS
Licenciado | Semestral | 4
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Ano | Natureza | Lingua
Ano | Natureza | Lingua
2 | Obrigatório | Português
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Código
Código
ULHT160-24616
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Pré-requisitos e co-requisitos
Pré-requisitos e co-requisitos
Não aplicável
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Estágio Profissional
Estágio Profissional
Não
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Conteúdos Programáticos
Conteúdos Programáticos
Define and characterize transmedia storytelling and transmedia marketing,
- Understand the key concepts associated with transmedia storytelling,
- Know several of the most significant examples of transmedia in different genres.
- Create awareness of different production possibilities within transmedia
The distributed evaluation includes an individual project (transmedia storytelling case study analysis) and a group project (transmedia marketing plan):
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Objetivos
Objetivos
The areas of intervention chosen for the scope of the syllabus covered in the discipline are in line with the objectives of advanced training in the 2rd year of the CAM course, aiming to complement the knowledge provided to students in other previous disciplines, and enhance the adoption of strategies of communication, artistic conception and production differentiated from the strictly cinematographic and television paradigms taught in other Curricular Units of the degree.
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Metodologias de ensino e avaliação
Metodologias de ensino e avaliação
Develop the transmedia marketing plan for the fiction film/TV project,
Communicate in a clear and coherent manner the issues that constitute the programme.
I
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Bibliografia principal
Bibliografia principal
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Bernardo, N. (2011). The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories Across Multiple Platforms. Beactive Books.
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Dowd, T.; Fry, M.; Niederman, M.; Steiff, J. (2013). Storytelling Across Worlds. Focal Press.
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Field, S. (2007) Screenplay: The Foundations of Screenwriting. New York, NY: Bantam Bell – Random House Inc.
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Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York & London: New York University Press.
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Jenkins, H. (2013). Spreadable Media: Creating Value and Meaning in a Networked Culture. New York, NY: New York University Press.
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Horário de Atendimento
Horário de Atendimento
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Mobilidade
Mobilidade
Não