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Presentation
Presentation
Core discipline for the development of practical work during studies. Acquiring knowledge of camera handling, image and sound capture are essential for the good development of learning throughout the course, as well as the manipulation of lighting devices in the photographic process. Learn to use a digital camera in all its components - mastery of the correct exposure of the image; domain to capture sound directly in the camera. Learn to maneuver the camera in recording situations - camera operation techniques and image composition. Learn how to use the camera to capture shots in a fictional environment. Acquire basic knowledge of lighting.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 6
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT160-24596
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
- Film Language.
- To operate a digital camera. Capturing image and sound
- To apply the use of camera to fictional content.
- Lighting
- Camera Operating. (Composition, movement) - Workshop Blocking and crew work methodology.
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Objectives
Objectives
Apprehend the fundamental concepts of audiovisual terminology and apply the knowledge acquired. Get solid knowledge in the handling of the Digital Video camera. To aquire abilities to interpret the final image in the technical domain and know how to control all parameters for correct exposure of the digital image. Image capture techniques for cinematography as a technique for covering scenes in a fiction film envyroment. Learning meaning and the symbology of the different shot sizes and camera movement to be applied in a fiction film making. Film language.
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Teaching methodologies and assessment
Teaching methodologies and assessment
A strong practical component followed by theoretical instructions. Division of different groups between from class to class encourages greater interaction between students.
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References
References
- Mercado, Gustavo (2022) The Filmaker's Eye - 2nd Edition Taylor & Francis
- Mascelli, Joseph V. (1998)- The Five C's of Cinematography - Motion Picture Filming
- Brown, Blain (2002) Cinematography Theory and Practice - Image Making for Cinematographers, Directors, and Videographers. Focal Press
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Office Hours
Office Hours
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Mobility
Mobility
No
