filmeu

Class Sound Effects Workshop

  • Presentation

    Presentation

    Atelier de Sonoplastia is a practice-based course that builds upon the knowledge and skills acquired in Introduction to the Sound Narratives course. It focuses on the creation of original soundtracks for animation, covering the main areas of sound design, including field recording, Foley, sound editing, sound design, and mixing. Conducted in the laboratory, studio, and on location, the course highlights the importance of sound as a narrative and expressive element while preparing students for professional workflows in animation and audiovisual production.
  • Code

    Code

    ULHT613-5073
  • Syllabus

    Syllabus

    A sonoplastia no apoio à narrativa; A influência do som na perceção do espaço e do tempo; Momentos de tensão/distensão; Som metafórico; O fora de campo; A intencionalidade sonora; O realismo e a subjetivação: o som onírico; Desenvolvimento de continuidade; Criação e organização de bibliotecas de sons; Personalidade na sonoplastia e no diálogo; Linguagens sintéticas; O papel da música na animação; A música na comunicação do emocional; O som diagético, não-diagético e meta-diagético.
  • Objectives

    Objectives

    - Develop and enhance students creativity and technique in the production and design of sound design for animated film projects; - Understand the artistic-technical process of production and post-production of sound for image; - Promote individual skills in the production of sound designs and in the design of sound development and production strategies taking into account artistic thinking; - Optimize strategies and aesthetics that influence conceptual approaches in sound design; - Contribute to the expansion of the student's sound/audiovisual culture.
  • Teaching methodologies

    Teaching methodologies

    Continuous assessments (50%), Final Work (50%). The practical sessions related to sound recording will be carried out in the studio and across the ULHT campus. Editing and mixing practices will be carried out in the classroom using individual DAW stations (Digital Audio Workstation) and/or in a recording studio (ULHT).
  • References

    References

    Altman, R. (1984). A Semantic/Syntactic Approach to Film Genre. [Cinema Journal] Altman, R. (1995). The sound of sound: a brief history of the reproduction of sound in movie theaters. Cineaste, 21(1-2). Beauchamp, R. (2014) Designing Sound For Animation [Focal Press]    
  • Assessment

    Assessment

    Avaliação contínua (50%), Trabalho Final (50%).

     

     

     

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