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Presentation
Presentation
Curricular unit within the scope of the various stages of carrying out an audiovisual project.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Master Degree | Semestral | 10
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT2174-1-15921
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
In this CU the student will develop skills in visual realization by introducing planning, floor maps and storyboards.
Experimentation in the areas of assembly/editing and post production.
Using experimentation and visualization of scenic space, the cast, script analysis and lesson plans and different points of view, as well as the alignment of plans.
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Objectives
Objectives
Students should, at the end of the CU, have the capacities for the various stages of completion, from film shooting to post-production. They should be familiarized with the recognition of the different methods of alignment work plans, aesthetic choices and viewpoints, as well as the ability to analyze drama texts, to view the screen, and develop the ability to communicate through visual coherence and planning.
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Teaching methodologies and assessment
Teaching methodologies and assessment
Exercises, testing and implementation of practical work.
Continuous assessment (contribution in class and work of argumentation): 30%
Engraving of scenes in different scenic spaces (presentation): 30%
Final work: 40%
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References
References
BAUDRILLARD, Jean (1991), Simulacros e Simulação. Lisboa, Relógiod¿Água.
BARSAM RICHARD - Non Fiction Films - Theory and Criticism
BUSCH, NOEL (1973) - Praxis do Cinema Lisboa, Estampa.
FIELD, Syd (1982) - SCREENPLAY - The Foundations of Screenwriting - NOVA YORK / Dell Publishing
KATZ, Steven D. (1992) ¿ Film Directing, Cinematic motion ¿ Studio City CA, Michael Wiese Produtions
KATZ, Steven D. (1991) ¿ Film Directing, shot by shot ¿ Studio City CA, Michael Wiese Produtions
MANBAR STEPHEN (1974) - Cinema Verité in America, Studies in UncomtroledDreamaers ¿ Boston / MIT Press
MCKEE, Robert (1997)- STORY: Substance, Structure, Style and Principles of Screenwriting ¿ Nova York / Dell Publishing
MARTIN, Marcel (1994) LE LANGAGE CINÉMATOGRAPHIQUE Paris / les editions du cerf
SALT, BARRY (1983) - Film Style and Technology, History and Analysis Londres / London Starfors.
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Office Hours
Office Hours
Nome do docente
Horário de atendimento
Sala
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Mobility
Mobility
No