Class Personal project II

The work to be developed in this course follows on from the work previously carried out in Personal Project I, aiming at the completion of a project in the course's study areas to be presented at the end of the semester. All other course units contribute to the successful development of this course, as the project presented is intended to demonstrate the learning and skills acquired throughout the course. The final presentation will be public.  

Not applicable

- Develop a creative project with the guidance of the course instructors. - Use the knowledge acquired throughout the course in other course units. - Deepen concepts of creation, representation, direction of actors, etc. - Prepare a project presentation dossier to obtain funding. - Develop a communication and dissemination plan for the project. - Produce the project considering the available human and material resources.

This UC is characterized by an active methodology centered on the student. This, and from its centers of interest, prioritizes the adequacy of its objectives guided by the teacher. The teacher is responsible for monitoring, encouraging and motivating the learning process. Students acquire the fundamental tools to be able to think about methods of acting and directing actors. It is sought that this final work can contribute significantly to the portfolio of the students involved.

Stanislavski, K. (2008). A construção da personagem (P. Lima, Trad.). Civilização Brasileira. (Obra original publicada em 1949) Stanislavski, K. (2016). A preparação do ator (P. Lima, Trad.). Civilização Brasileira. (Obra original publicada em 1936) Meisner, S., & Longwell, D. (1987). Sanford Meisner on acting. Vintage Books. Hagen, U. (1973). Respect for acting. Wiley. Adler, S. (2000). The art of acting. Applause Theatre & Cinema Books. Chekhov, M. (2002). To the actor: On the technique of acting (Rev. ed.). Routledge. Weston, J. (1996). Directing actors: Creating memorable performances for film and television. Michael Wiese Productions. Weston, J. (2003). The film director's intuition: Script analysis and rehearsal techniques. Michael Wiese Productions. Rabiger, M. (2008). Directing: Film techniques and aesthetics (4th ed.). Focal Press. Ball, W. (1984). A sense of direction: Some observations on the art of directing. Drama Publishers.