filmeu

Class Management and Research for Audiovisual Production

  • Presentation

    Presentation

    In this workshop with a practical focus, the aim is to enable students to adopt a strategic and creative vision in the preparation and carrying out of projects through collaborative work on concrete cases. Students begin by analysing the projects from the perspective of creative production in order to find the best way to explore the specific potential of each project. The analysis work also involves understanding the various roles in the production sector, from the role of the producer to the assistant, including the various more practical or administrative functions in project management. Students deal with all phases of production in an assisted manner, from pre-production, with the analysis of projects, their planning, budgeting, and team formation and management, through to the shooting and post-production phases.
  • Code

    Code

    ULHT160-24618
  • Syllabus

    Syllabus

    Module 1 – Organization and Production Management: from concept to … 4 – Project management: schedule and activities 5 – PM: planning and budgeting. Cost bases. Financing Module 2 – Executive Production / Andreia Nunes 1 – Script breakdown with the heads of each department 2 – PM: Resource requirements and optimization in the shooting plan 3 – PM: Budget analysis and funding sources 4 – PM: Analysis of project specificities, sets and casting 5 – PM: Analysis of project specificities, sets and casting 6 – Technical scouting / Production logistics 7 – Shooting supervision Module 3 – From Post-production to Distribution / Marta Vaz Sousa 1 – PM – analysis of productions. Post-production 2 – PM – preparing the final pitching and distribution
  • Objectives

    Objectives

    In this course unit, students acquire skills in the use of tools to produce an audiovisual project. The aim is for students to develop the ability to apply production methodologies that allow them, throughout the various stages of a project, to assemble and manage teams, budgets, and production timelines in a creative way and in alignment with the artistic and market dimensions of the projects.
  • Teaching methodologies

    Teaching methodologies

    Supervision, under a tutoring model, of the work carried out by the students throughout the pre-production, shooting, and editing of a short-format series. Assessment: based on the outcome of the work developed, according to the following criteria: pre-production documents and in-class presentations (50%) performance in the assigned role during production (20%) final completed film (20%) individual final self-assessment report (10%)
  • References

    References

    Oxford: Fourth Edition, Focal Press. Cury, Ivan (2011) Directing and Producing for Television: A Format Approach. Millerson, Gerald e Owens, Jim (2012). Television Production. Oxford. Focal Press. Zettl, Herbert (2012). Television Production Handbook. Boston: Wadsworth Series in Broadcast and Production.  
  • Assessment

    Assessment

    Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.

    Exemplo:

    Descrição

    Data limite

    Ponderação

    Documentos de pré-produção e apresentações

    em aula

     

    50%

    Desempenho da função durante a produção 

     

    20%

    Resultado do filme acabado

    Relatório final de autoavaliação a apresentar

    individualmente

     

    20%

    10%

     

    Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...

     

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