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Class Photography

  • Presentation

    Presentation

    Begin familiarization with the studio environment and all its components, creating work methods both individually and in groups, with the aim of better understanding artificial lighting. Develop the capabilities of observation and identification of the photographic variables necessary to carry out a photograph, promoting the preview and the preparation and production capabilities of a given photograph. Understand and apply basic principles of composition, namely the adaptation of focal distances from objective to precise objectives, the visualization of objects and people, analyzing the images in function of their effect on the observer. Understand photographic composition as an operation on a two-dimensional plane (with a suggestion of three-dimensionality) and learn to work with the structural elements of visual language. Fundamentals of digital imaging; concepts and practices

  • Code

    Code

    ULP729-1159
  • Syllabus

    Syllabus

    Photography with digital camera feature. Make contact and recognize the possibilities related to the use of digital cameras, including their technical functioning, their added value and possible limitations through practical exercises with technical difficulties to overcome. Introduction to Studio and Equipment. Basic Rules of Security. Dissemination and analysis of the works of reference photographers. Characteristics of the Light and its properties. Organization of the portfolio and promotion of the photographer. Theoretical-practical classes, where students are familiar with the programs necessary for digital image processing and editing. During the semester students will be challenged to solve exercises of increasing difficulty that will imply applying the acquired knowledge.

  • Objectives

    Objectives

    This discipline should be understood as a dynamic course of apprehension of a subject to be mastered through knowledge, with the specific equipment as an aid. Attention is drawn to the fact that the mastery of equipment is intimately connected with a mental structure based on knowledge through experimentation and study. Acquire and develop general skills in studio photography. Students will learn how to optimize work processes for the ultimate goal, be it print or Web. They will acquire capabilities to perform a diverse set of tasks inherent in the digital photographic process. Develop a working methodology. Develop a coherent portfolio in digital photography, collecting information relevant to its design. To make known and practice the various workflows in digital photography from the point of view, to post-production and finalization both on the web and in print.

  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Throughout the course, students will encounter various challenges and have the opportunity to analyze case studies that will enable them to learn through research and experimentation. The syllabus encourages a way of thinking based on questioning and reflection. Students will be encouraged to share their thoughts and ideas with their classmates and, whenever possible, with the academic community through project exhibitions and other means of dissemination.

  • References

    References

    ANG, Tom, Manual de Fotografia Digital, Civilização Editores,Porto, 2004

    AUMONT, Jacques , L¿Image,: Nathan. Paris, 1990

    BOURDIEU,Pierre, (dir.),Un art moyen, essai sur les usages sociaux de la photographie. 

    BURGIN,Victor, (dir),Thinking Photography. Ed, Macmillan Press, London, 1982

    DALY,Tim, Fotografia Digital- um guia prático, Centralivros, Lisboa, 2000

    FRADE, Pedro, Miguel  Figuras do Espanto,: ASA. Lisboa,1992

    FREUND, Giséle, Fotografia e Sociedade,: Vega, 2ª ed. Lisboa 1995

    GERVEREAU, Laurent, Voir, Comprendre, Analyser les Images,: La Decouverte. Paris 1997

    JACOBSON, Ralph E. Manual de Fotografia, Omega. 1996

     

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