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Class Politics and Economics of Culture

  • Presentation

    Presentation

    The objective of this discipline is to equip students with the knowledge and skills that allow them autonomy in aspects related to management in various artistic contexts. Considering the ever-increasing scope of the arts, an approach to some sectors that do not exclusively belong to the context of the artist's work proves essential for defining a positioning in which the artist/producer is equipped to, on the one hand, understand the universe in which their work is situated and, on the other hand, master some of the technical language inherent to a field that, often, is not considered central to the context of their work.
  • Code

    Code

    ULP1977-15464
  • Syllabus

    Syllabus

    1. Cultural policies in Portugal and in the EU 2. The global contexto of the arts: production, dissemination, recognition 3. The specificity of the artistic sector 4. The main job markets 5. Privat and public funding: Portugal and EU. 6. Drafting of the project dossier 7. The applicable legislation: the main legal aspects 8. The main networks of programming and dissemination 9. Financial partnerships 10. Creative partnerships  11. Marketing and commmunication 12. Mobility and internacionalization  13. Career management 14. Art, creative industries, cultural industries.  15. The artist as entrepreneur  16. The financial and administrative organization of the company  
  • Objectives

    Objectives

    In an increasingly competitive society the artist must be able to know all the mechanisms that enable the recognition of his work. From marketing, to the preparition of a project dossier, it is essential that the artist should be aware of these fields. Legal and administrative issues, financing, internationalization and dissemination of works assume a decisive role in the professional artistic context. Art globalization, implies a knowledge of wider contexts of production forcing the artist repositioning in view of the dissemination of his work. Collaborative work and partnerships are, also, some carachteristics of contemporary, with which the artist must relate. Considering these contexts we assume that the artist is not the employee of an arts organization. He must, therefore, be able to envision his future and manage his own career.
  • References

    References

    AAVV. Ser artista em Portugal. Lisboa: Centro Nacional de Cultura, 2000.    AAVV. La creátion face aux systémes de diffusion. Paris: La Documentation Française   AAVV. As politicas culturais em Portugal. Lisboa: Obs. Das Actividades Culturais   AAVV. O estado das artes e as artes do estado. Lisboa: OAC, 2001.    BENHAMOU, Françoise. L ¿économie de la culture. Paris: La Decouverte, 2004   GAMA, Manuel. Políticas Culturais Municipais. CECS, 2021  
  • Assessment

    Assessment

     

     

     

     

    No contexto da UC será dada grande importância ao projeto (desenvolvimento de 2 dossiês de projeto - para entidade financiadora e para instituição artística) bem com a elaboração de site e redes sociais. 

     

    Descrição

    Data limite

    Ponderação

    Participação nas aulas 

     

    10%

    Dossiês, site e social media

     

    90%

    (...)

     

     

     

    Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...

     

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