Class Sound Design

This course aims to raise awareness of the creative and interpretative aspect of Sound Design. Know technically and conceptually the process of audiovisual creation. Sound design applications and techniques using sound synthesis, in order to understand the mechanisms that allow the articulation between sound and image, how to plan and define projects and working methods in the field of audio editing and post production. With the defined subjects is intended to develop the perception of aesthetic concepts of sound, so that the work performed by the target is enhanced, beyond technical horizons, providing students with an ability to understand the work of Sound Design and its creation. , in the interaction with the image.  

Not applicable

Theoretical Module Perception, Emotion and Aesthetics Multimodal Communication Theory Introduction to Sound Studies Sound design theory   Practical module Using audio editing software Understanding Nonlinear Audio Editing  Understanding Eq, Dynamic Processing, Using Plugins  Understanding Final Mixing in Audio Post Production  Appropriate export of final mixes   

Critical analysis of recognized works, focusing on the semiotics and aesthetics of sound. Carrying out practical exercises combined with theoretical methodologies and critical analyzes worked on in class.

*BARLETT, Bruce - Pratical Recording Techniques, Burlington, Focal Press (2009) *GOTTLIEB, Gary - Shaping Sound in the Studio and Beyound: Audio Aesthetics and Technology. Boston: Delmar (2007) *LANGFORD, SIMON - Digital Audio Editing - Correcting and Enhacing Audio in ProTools, Logic Pro, Cubase e Studio One, Focal Press (2013). *ROSE, Jay - Producing Great Sound for Film and Video, ed Elsevier Science (2009)