Teacher
José Manuel De Figueiredo Gomes Pinto

Resume

José Gomes Pinto holds a Ph.D. in Philosophy: Aesthetics and Art Theory (Salamanca University, Faculty of Philosophy and Best Dissertation Award in 2002). He teaches in the School of Communication, Architecture, Arts, and Information Technologies (ECATI) at Lusofona University, Portugal. In 2016 had accomplished his Habilitation in Communication Sciences at Minho University with a report on Media Theory (Approved by unanimity). He has been Dean of ECATI since 202I. He is an Invited Professor at the Fine Arts Faculty, Lisbon University, Master's in Communication Design since 2012. He taught as a guest Professor at Salamanca University, Spain, and Évora University, Portugal. He was the Head of a Ph.D. Program in Media Art (2012-2019) and a Ph.D. in Philosophy: Cotemporary-Thought (2012-2016) at the same School. In 2007 he was a visiting post-doctoral fellow at Humboldt University, Faculty of Philosophy III, Medienwissenschaft Seminar, under the supervision of Prof. Friedrich A. Kittler. His main areas of interest are Aesthetics and Art Theory, Media Art and Media Theory, Philosophy of Technology, and Philosophy of Communication. He was also a Vice-President of the Portuguese National Association of Communication (2014-2020) and was still on Board until 2026. He was a curator of several Scientific Events.

Graus

• Especialização pós-licenciatura
  Pós-Licenciatura em Ramo de Formação Educacional em Filosofia
• Doutoramento
  Filosofía, Ciencia e Historia
• Licenciatura
  Filosofía
• Título de Agregado
  Teoria dos Media

Publicações

Journal issue

• Memória Cultural, Imagem, Arquivo, 1
• International Journal of Film and Media Arts - Special Issue on CIIA 2021
• Carl Einstein. Reflexões sobre Arte e Estética , 11/12
• Audiovisual and Creative Industries - Present and Future, 7

Journal article

• 2023-10-08, ¡Situaciones indeseables o cómo podemos activar el poder de la negación!, Communication, technologies et développement
• 2023-10-08, ¡Situaciones indeseables o cómo podemos activar el poder de la negación!, Communication, technologies et développement
• 2022-12-14, Editorial, International Journal of Film and Media Arts
• 2018-06-01, Memória cultural, média e cultura visua, Vista. Revista de Cultura Visual
• 2018, "Memo´ria cultural, me´dia e cultura visual", Revista Vista
• 2017-12-28, Sentido comum e técnica: para uma literacia da técnica, Revista Lusófona de Estudos Culturais
• 2014-12-18, O ARQUIVO E A SOBREVIVÊNCIA DO DISCURSO: NOTAS SOBRE O CONCEITO DE “MUSEOLOGIA”, Revista Lusófona de Estudos Culturais
• 2013-07, Arte y acción política el intempestivo Carl Einstein, Azefea. Azafea revista de filosofía
• 2013, "Arte y acción política: El intempestivo Carl Einstein", Azafea: Revista de Filosofia

Book

• 2022, Imagem, Arte, Cibernética: Vilém Flusser, 1, Gomes Pinto, Jose; Matoso, Rui Manuel Pinto Ibañez, Edições Lusófonas
• 2021, "Crítica das Mediações Totais - Perspectivas expandidas dos media", Bogalheiro, Manuel; RIBEIRO, LUÍS CLÁUDIO; Gomes Pinto, Jose; Leitão, Catarina Patrício; Castro, Aida Estela; Natálio, Carlos; Bragança de Miranda, José, Documenta
• 2019, Fundamento e Imersão - Ensaios sobre Técnica, 1, Bragança de Miranda, José; Marques Carrilho, J.M.; RIBEIRO, LUÍS CLÁUDIO; Gomes Pinto, Jose, Orfeu Negro
• 2013, "Perspectivas da la comunicación: arte, cultura, tecnología", Bragança de Miranda, José; Gomes Pinto, Jose; Cruz, Maria Teresa; Rosa, António Machuco, CECL - Centro de Estudos de Comuicação e Linguagens
• 2004, Naturaleza humana y artificio en David Hume: elementos para una comprensión estética de las nuevas tecnologías. , Gomes Pinto, Jose, Ediciones de la Universidad de Salamanca

Book chapter

• 2023, La conexión infinita. Apuntes sobre las notas al pie de página, Fernández-Jáuregui Rojas, Carlota (ed.), 2, 1, Ediciones Universidad de Salamanca (col. Materiales de Arte y Estética,
• 2023, A Comparative Analysis of Institutional Ethical Codes of Conduct for the Practice of Design
• 2020, Fazer imagens da natureza: a paisagem como meio, Para uma crítica da mediações totais. Perspectivas expandidas dos media, Documenta
• 2019, «Regimes of Communication: emergent processes, historical approaches», Mats Bergman, Kestas Kirtiklis and Johan Siebers (Org.), Models of Communication: Philosophical and Theoretical Approaches., Routledge
• 2015, Fazer do mundo uma experiência’. Uma Retórica da Técnica, Retórica e Política, Labcom Books
• 2015, Arte e acção política em Carl Einstein, Roberto Conduru, A África de Carl Einstein, Editora da Universidade do Rio de Janeiro
• 2013, Artificio: la labor de nuestro cuerpo y el trabajo de nuestras manos», Perspectivas de la comunicación: arte, cultura, tecnologia, Cream Books

Edited book

• 2023, 1, 1ª, Universidade de Lisboa - Faculdade de Belas-Artes
• 2021, 2, 1, McGraw Hill
• 2021, 1, 1, McGraw Hill
• 2019, Orfeu Negro
• 2016, Unuleya
• 2016, Edições Universitárias Lusófonas
• 2016, Edições Universitárias Lusófona/Faculdade de Belas Artes-Universidade de Lisboa/Centro de investigação e Estudos em Belas Artes
• 2013, Cream Books
• 2009, Vega

Book review

• Pereira Martins, C.. Seduction in Popular Culture, Psychology, and Philosophy

Newspaper article

• 2022-12-13, "Audiovisual and Creative Industries - Present and Future", International Jornal of Film and Media Arts | Editorial
• 2016-04-21, "Proposta de Doutoramento Honoris Causa a Agnès Varda", International Jornal of Film and Media Arts | Dossier

Online resource

• 2014-12, Entrevista a Giuliana Bruno, https://www.ulusofona.pt/lessons/giuliana-bruno

Conference paper

• 2023-11-30, Interface a 4 tempos para: (...) ¿ Uma obra aberta à coautoria., ARTECH 2023
• 2023-04-26, The problem with gender-blind design and how we might begin to address it: A model for intersectional feminist ethical deliberation, CHI EA '23
• 2023-04-19, The problem with gender-blind design and how we might begin to address it
• 2016-07-07, From the Archive to the New, xCoAx 2016: Fourth Conference on Computation, Communication, Aesthetics and X

Exhibition catalog

• 2023, O molde e as cópias, Teatro Nacional São João

Preface / Postscript

• 2023, Design Futures: How can Ethics shape Design Theory and Practice
• 2015, Pedro Sargento, Forma, Matéria e Presença. Uma leitura conceptual da estética e da história da artes entre os séculos XIX e XX.

Artistic exhibition

• 2023-11-21, Festival InShadow | Expanded Memories
• 2015-09-24, plunc - Festival de Artes Digitais e Novos Media
• 2013-12-03, Festival InShadow | LIMIAR 2.0
• 2013-03-01, Ciclo Carl Einstein
• 2012, Festival InShadow | BONES
• 2010, Split Screen (TV/ARTS/TV).