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Class Personal project I

  • Presentation

    Presentation

    This course unit aims to prepare students to carry out their final project in *Personal Project II*, covering the creation of a production dossier, a funding application dossier, and communication strategies. In addition to these areas, students prepare the artistic aspects of the work: research, interpretation, narrative/script, actor direction, and rehearsal planning and scheduling.
  • Code

    Code

    ULHT6801-25281
  • Syllabus

    Syllabus

    The project dossier The funding application The communication plan Schedule of the project's various production phases Script development Character development Acting and directing Planning and organizing rehearsals Shooting schedule
  • Objectives

    Objectives

    Knowing how to compile an artistic project presentation dossier: identifying the various areas of production, defining a communication plan, and being able to respond to funding applications. In an artistic context: being able to develop a script for a film, series, or play; acquiring skills in acting and directing actors; and being able to plan rehearsals and filming/recording sessions.
  • Teaching methodologies

    Teaching methodologies

    The fact that students must develop a project encompassing the range of situations they will encounter in a professional setting represents a significant asset to their training, as they will be able to apply the skills and knowledge acquired-such as funding application templates, communication plans, script structures, character development, and project planning and scheduling-in their future work environments.
  • References

    References

    DEWEY, Rachel. Stage Management Basics: A Primer for Performing Arts Stage Managers. Routledge, 2021. PILBEAM, Karen. Creative Producing for Theatre and Live Performance. Methuen Drama, 2017. KILDEA, John. Production Management for the Stage: A Practical Guide. Crowood Press, 2015. KOTLER, Philip; SCHEFF, Joanne. Standing Room Only: Marketing Insights for Engaging Performing Arts Audiences. Harvard Business Review Press, 1997 WILDEN, Matt. The Art of Theatrical Production Budgeting. CreateSpace, 2018. WILSON, Edwin. The Theatre Experience. McGraw Hill, 2014 THORNTON, Stephen. Stage Production Management: A Guide to Organizing Live Events. Methuen Drama, 2019.  
  • Assessment

    Assessment

    Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.

    Exemplo:

    Descrição

    Data limite

    Ponderação

    Avaliação Intercalar I (teste presencial)

    dd-mm-yyyy

    25%

    Avaliação Intercalar II (teste presencial)

    dd-mm-yyyy

    25%

    Entrega do dossiê artístico e de produção

     

    50%

     

    Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...

     

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