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Presentation
Presentation
This course unit aims to prepare students to carry out their final project in *Personal Project II*, covering the creation of a production dossier, a funding application dossier, and communication strategies. In addition to these areas, students prepare the artistic aspects of the work: research, interpretation, narrative/script, actor direction, and rehearsal planning and scheduling.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 8
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Year | Nature | Language
Year | Nature | Language
3 | Mandatory | Português
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Code
Code
ULHT6801-25281
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
The project dossier The funding application The communication plan Schedule of the project's various production phases Script development Character development Acting and directing Planning and organizing rehearsals Shooting schedule
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Objectives
Objectives
Knowing how to compile an artistic project presentation dossier: identifying the various areas of production, defining a communication plan, and being able to respond to funding applications. In an artistic context: being able to develop a script for a film, series, or play; acquiring skills in acting and directing actors; and being able to plan rehearsals and filming/recording sessions.
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Teaching methodologies
Teaching methodologies
The fact that students must develop a project encompassing the range of situations they will encounter in a professional setting represents a significant asset to their training, as they will be able to apply the skills and knowledge acquired-such as funding application templates, communication plans, script structures, character development, and project planning and scheduling-in their future work environments.
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References
References
DEWEY, Rachel. Stage Management Basics: A Primer for Performing Arts Stage Managers. Routledge, 2021. PILBEAM, Karen. Creative Producing for Theatre and Live Performance. Methuen Drama, 2017. KILDEA, John. Production Management for the Stage: A Practical Guide. Crowood Press, 2015. KOTLER, Philip; SCHEFF, Joanne. Standing Room Only: Marketing Insights for Engaging Performing Arts Audiences. Harvard Business Review Press, 1997 WILDEN, Matt. The Art of Theatrical Production Budgeting. CreateSpace, 2018. WILSON, Edwin. The Theatre Experience. McGraw Hill, 2014 THORNTON, Stephen. Stage Production Management: A Guide to Organizing Live Events. Methuen Drama, 2019.
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Assessment
Assessment
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Avaliação Intercalar I (teste presencial)
dd-mm-yyyy
25%
Avaliação Intercalar II (teste presencial)
dd-mm-yyyy
25%
Entrega do dossiê artístico e de produção
50%
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
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Mobility
Mobility
No





