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Presentation
Presentation
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 4
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT160-24598
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
Theory: - Foundations of audio for image; - Introduction to audio for image; - The soundtrack; - The processes: from recording to audio post-production; - Introduction to production sound recording; - Production and design of cinematographic sound environments; - Introduction to audio post-production: editing and mixing in Pro Tools. Practice: - Exercises carried out in a group to capture sound; - Production and design of stereophonic soundscapes; - Development of intentions through recording practices; - Production, editing and mixing of sound for image.
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Objectives
Objectives
- Develop and enhance students techniques, creativity and critical thinking in the production and design of original soundtracks for film; - Understand the artistic-technical process of sound for image, from its recording to the audio post-production; - Provide vocabulary that favors communication and the articulation of ideas about the soundtrack for a film; - Boost individual skills regarding designing sound through development and production strategies, serving the artistic object; - Optimize strategies and aesthetics adapted to conceptual and procedural approaches in audio post-production.
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Teaching methodologies
Teaching methodologies
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References
References
Anderson, C. D. (2025). Sound Design for the Visual Storyteller: Creating Sound for Visual Media. Focal Press. Huber, D. M., Caballero, E., & Runstein, R. (2024). Modern Recording Techniques: A Practical Guide to Modern Music Production (10th ed.). Focal Press. Knight-Hill, A., & Margetson, E. (2024). Art of Sound: Creativity in Film Sound and Electroacoustic Music. Focal Press. Izhaki, R. (2023). Mixing Audio: Concepts, Practices, and Tools (4th ed.). Focal Press. Polis, M., & Rea, P. (2023). A Filmmaker's Guide to Sound Design: Bridging the Gap Between Filmmakers and Technicians to Realize the Storytelling Power of Sound. Routledge. Baxter, D. (2022). Immersive Sound Production: A Practical Guide. Focal Press.
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Assessment
Assessment
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Teste de avaliação
dd-mm-yyyy
30%
Portfolio
dd-mm-yyyy
40%
(...)
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
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Mobility
Mobility
Yes
