Class Cinematographic Museology

The objective of this CU is to acquaint students with the history of cinematographic museology, the different collections and missions of a cinematheque, museums or other entities responsible for film and audiovisual collections, and the challenges they face today in contemporary societies. The student should be able to explain how the concepts of “museum”, “archive” or “heritage” crossed with the history of cinema and the history of cinema ideas. Archives, history and film theory form connections and mutual interference throughout the “century of cinema”.

1. History of cinematography museology
1.1. Archive, memory, history
1.2. The cinematheques’ mouvement and FIAF
1.3. Cinema as cultural heritage
1.4. Key institutional and funding models of cinematheques

2. To preserve and to show: the diversity of the collections (and of the missions) of cinematheques
2.1. Cinema museums: from the safeguard of cultural heritage to the promotion of film culture
2.2. Types, characteristics and principles of the conservation of cinematographic collections
2.3. Programming, cultural diffusion, and commercial distribution: cinematheques in the context of the audiovisual heritage market

2.4. Key notions of copyright and cultural heritage law 2.5 The Library

4. Old and new functions for cinematheques in contemporary societies 4.1. Cinematheques and contemporary audiovisual culture
4.2. Models of adaptation to the transition to digital cinema
4.3. Strategies for the cultural, political, and civic activation of collections

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• [Preencher APELIDO], [Preencher Primeiros Nomes] - [Preencher Título]. [Preencher Edição. Local de publicação :Editor, Ano de publicação. Descrição física. Série. ISBN)]
• [Preencher APELIDO], [Preencher Primeiros Nomes] - [Preencher Título]. [Preencher Edição. Local de publicação :Editor, Ano de publicação. Descrição física. Série. ISBN)