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Class Politics and Entertainment

  • Presentation

    Presentation

    The curricular unit Politics and Entertainment provides an overview of the main theoretical and empirical contributions to understanding the relationship between entertainment and politics, a key feature of contemporary political communication in various democracies. Key concepts such as the politicisation of private personality, the celebrity culture of politics, lifestyle politics, the commodification of politics, and audience democracy are critically examined, along with their impact on the quality of democracy.
  • Code

    Code

    ULHT6997-26333
  • Syllabus

    Syllabus

    Introduction Politics and Entertainment: A Conceptual Map Political Fiction and Its Impacts Political Satire and Its Effects Soap Operas and Politics Music and Politics Celebrity Politicians Political Scandals Citizens, Fans, or Spectators? Politics, Entertainment, and the Quality of Democracy
  • Objectives

    Objectives

    By attending this curricular unit, students are expected to develop: A deep knowledge of the scientific literature on the relationship between politics and entertainment The ability to assess, to balance, and to contrast the strengths and weaknesses of different positions in contemporary debates about the entertainment-politics nexus. An understanding of the research skills necessary to analyze this phenomenon
  • Teaching methodologies

    Teaching methodologies

    In addition to sessions dedicated to providing students with key concepts and theoretical frameworks specific to the Politics and Entertainment course unit, this course unit also adopts a mixed approach to the teaching-learning process focused on the development of personal skills and oriented towards project/problem-based learning (PBL). The teaching methodology combines a theoretical component (under the guidance of the teacher) with a set of practical tasks (namely, guided reading, presentation and discussion of texts, as well as other audio-visual supports). The teaching-learning process will ensure the transmission of theoretical and conceptual tools and, at the same time, their application in concrete tasks, therefore students are placed at the centre of the learning process.
  • References

    References

    Bartsch, Anne, et al. (2024). The Influence of Eudaimonic Entertainment Experiences on Political Information Processing and Engagement. Communication Research: 00936502241259921. Becker, Amy B. (2020). Applying mass communication frameworks to study humor's impact: advancing the study of political satire. Annals of the International Communication Association 44.3: 273-288.  
  • Assessment

    Assessment

    Assiduidade e participação ativa - 10%

    Apresentação e discussão de textos - 25%

    Ensaio - 40%

    Frequência - 25%

     

    Attendance and active participation - 10%

    Presentation and discussion of texts - 25%

    Essay - 40%

    Written assessment - 25%

     

SINGLE REGISTRATION
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