filmeu

Class Direct Printing Techniques and Do-it-yourself Stamping

  • Presentation

    Presentation

    In this course students experiment many printing and stamping techniques that can complement their graphic and pictorial skills.

  • Code

    Code

    ULHT722-17192
  • Syllabus

    Syllabus

    Specific techniques and languages of engraving, stamping and printing

    Strategies of graphic representation in drawing concerning its reproduction through the engraving, printing and printing

    Introduction to printing - direct printing, monotype on glass

    Introduction to stamping - EVA stamping, rubber stamping, patterned stamps

    Introduction to engraving - linoleum technique

    Final project - artist's book with a visual narrative using one or more techniques explored in class

  • Objectives

    Objectives

    To make known the history and the scope of some techniques of engraving, stamping and printing.

    To promote experimentation and discovery of basic engraving, stamping and printing processes

    To develop through practical work, some direct printing techniques

    To develop through practical work, some basic stamping techniques

    To develop through practical work, the technique of linoleum engraving

  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Active methodologies that articulate theory and practice and the construction of knowledge by students. In addition to traditional classes on programme content (lectures, using audiovisual media), a permanent attitude of research and enquiry is proposed and learning by doing is encouraged. These methods are fundamental in the training of artists. The assessment favours the formative dimension, through a series of works in various printing techniques and a final project. Assessment criteria: Participation, attendance and co-operation (20%); Completion of work in class or at home (30%); Final project - artist's book (50%). 

  • References

    References

    Ayres, J. (2000). Monotype: Mediums and Methods for Painterly Printmaking. New York  Watson Guptil

    Jorge, A. & Gabriel, M.(1986). Técnicas de Gravura Artística. Lisboas: Livros Horizonte

    Schmidt, C. (2011). Print Workshop. New York: Potter Craft

    Turner, S. & Trisley, F. (1996). Guia prático de gravura. Lisboa : Estampa.

    Soares, E. (1971). História da Gravura Artística em Portugal ¿ Os artistas e as suas obras. Lisboa: S. Carlos

    Coldwell, P. (2010). Printmaking ¿ A contemporary Perspective. London: Blackdog Publishing

    Castleman, R. (1976). Prints of the Twentieth Century, a History. London : Thames &Hudson

    Vale, P. (2012) Tarefas infinitas: quando a arte e o livro se ilimitam. Catálogo. Lisboa: Gulbenkian

SINGLE REGISTRATION
Cookie Policy
This site uses cookies to offer you a better browsing experience.
Accept
Lisboa 2020 Portugal 2020 Small Logo EU small Logo PRR republica 150x50 Logo UE Financed Provedor do Estudante Livro de reclamaões Elogios