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Presentation
Presentation
This unit has the following objectives: 1. To teach screenwriting fundamental principles and concepts. 2. To develop critic and analytic abilities in relation to films and screenplays. 3. To promote the creation of scenes, characters and stories through writing exercises
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 7
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Year | Nature | Language
Year | Nature | Language
2 | Mandatory | Português
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Code
Code
ULP728-16958
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
1. Screenplay. 1.1. Screenplay. 1.2. Screenplay functions. 1.3. Screenwriting steps: storyline. Synopsis. Step-Outline. Treatment. 1.4. Format. 1.5. Language. 2. Story. 2.1. Narrative. 2.2. Story and Plot. 2.3. Theme. 2.4. Premise. 2.5. Conflict. 3. Character. 3.1. Physical, social and psychological characterization. 3.2. Biography e Backstory. 3.3. Goal and obstacles. 3.4. Motivation. 3.5. Inner Conflict. 3.6. Protagonist. Antagonist. Secondary characters. 4. Time. 4.1. Story time. Plot time. 4.2 Order. Duration. Frequency. 4.3. Flash-back and Flash-forward. 4.4. Ellipsis. 4.5 .Compression e Dilation. 4.6. Montage . 4.7. Parallel Action. 5. Space. 5.1. Story universe. 5.2. Space functions. 5.3. Sets and props. 5.4. "Mise-en-Scéne". 5.5. Off-screen space. 6. Scene. 6.1. Scene. Sequence. Act. 6.2. Scene function
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Objectives
Objectives
The student should be able to: 1. Write a screenplay according to its format and language. 2. Use the different steps of development of a screenplay. 3. Understand the main narrative concepts in a screenplay. 4. Use and recognize specific narrative devices used in screenwriting. 5. Write several texts that compose a short-film project.
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Teaching methodologies and assessment
Teaching methodologies and assessment
interdisciplinary project
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References
References
Field, S. - Screenplay: the foundations of screenwriting. New York. Random House, Inc, 2005. Gaudrault, A & Jost, F - El relato cinematográfico: Cine y narratologia. Barcelona, Ediciones Paidos, 1995. Jiménez, J.G. - Narrativa Audiovisual. Madrid: Ediciones Cátedra, 1996. Mckee, R. - Story: substance, structure, style, and the principles of screenwriting New York: Harper Collins Publisher, 1997. Parent-Alter, D. - O argumento cinematográfico. Lisboa: Edições Texto & Grafia, 2004. Raskin, R. - The art of short fiction film. North Carolina: Mcfarland & Company, Inc, 2002.
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Office Hours
Office Hours
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Mobility
Mobility
No