Teacher
Prof. Dr. João Marques Carrilho

Resume

JONAS RUNA is an artist, researcher, and Associate Professor at Lusófona University in Lisbon, where he currently serves as the director of the sound science and technology Bachelor’s and Master’s degrees. His artworks were presented at the Museo Guggenheim Bilbao, 55th and 56th Venice Biennale, 798 Art District (Beijing), ARoS Aarhus Kunstmuseum, Galerie Scheffel (Frankfurt), Logos Foundation (Ghent), Museo de Arte Contemporáneo (Santiago do Chile), Théâtre de la Ville (Paris), Arnold Schoenberg Hall (The Hague), Yorkshire Sculpture Park (UK), Calouste Gulbenkian Foundation (Lisbon) and Casa da Música (Porto), among other venues. He studied Physics and Mathematics at Instituto Superior Técnico and holds a BA in Sonology by the Royal Conservatory of the Hague (Netherlands). In 2015, he finished a PhD in Science and Technology of the Arts by the Catholic University of Portugal and was awarded a CEEC research contract (CEECIND/02302/2017) by FCT, working at the Faculty of Social and Human Sciences (FCSH)/Nova University of Lisbon. He was the Co-Principal Investigator of the FCT project TEPe - Technologically Expanded Performance (PTDC/ART-PER/31263/2017), based at the Faculty for Human Kinetics/University of Lisbon. He is a member of the Complex Systems Society and a member of the Board of the International Jew's Harp Society. In 2007, he created the duo ZUL ZELUB with Jorge Lima Barreto, for piano and electronic art music, and developed extensive transdisciplinary collaborations with the visual arts and contemporary dance (including the National Ballet Company). In 2015, he was nominated as one of the twenty-five greatest innovators in Portugal (Innovative Nation Award), a prize attributed by AUDI and the television network SIC Notícias, and in 2021, he became a member of the Sciences Academy of Lisbon - Young Scientists Seminar, a distinction attributed to the twenty most original scientists from all fields of knowledge.

Graus

• Licenciatura
  Sonology. Composition, Performance and Research of Electronic Music
• Doutoramento
  PhD in Science and Technology of the Arts
• Licenciatura
  Applied Mathematics and Computation (LMAC)
• Licenciatura
  Engineering Physics (MEFT)

Publicações

Artigo em revista (magazine)

• 2011-11-25, Zul Zelub: Unrealized Musical Energy, REVISTA TRIPLOV de Artes, Religiões e Ciências
• 2009-09-07, Musica Electronica Documenta, Atlântida
• 2006-04-25, Música e Filosofia desde Avicena, Atlântida

Interpretação musical

Artigo em revista

• 2023-07-21, A Música da Natureza, Academia de Ciências de Lisboa
• 2023-05-05, O Universo não nos deve nada, Academia de Ciências de Lisboa
• 2021-06-30, Unfolding the dynamical structure of Lisbon’s public space: space syntax and micromobility data, Applied Network Science
• 2016-05-18, Sound at the Edge of Consciousness: biomusicology and quantum biology, animalia vegetalia mineralia | ecomedia & ecocritic studies
• 2015-11-30, Sound as a vibration of life, animalia vegetalia mineralia | ecomedia & ecocritic studies (Year II - Number VI)
• 2015-04-03, The wisdom of living sound, animalia vegetalia mineralia | ecomedia & ecocritic studies (Year II - Number V)
• 2015, Zooetnomusicology, animalia vegetalia mineralia | ecomedia & ecocritical studies

Tese / Dissertação

• 2015, Doutoramento, Aesthetics of Music Informatics: Unrealized Musical Energy

Livro

• 2019, Fundamento e Imersão - Ensaios sobre Técnica, 1, Bragança de Miranda, José; Marques Carrilho, J.M.; RIBEIRO, LUÍS CLÁUDIO; Gomes Pinto, Jose, Orfeu Negro

Capítulo de livro

• 2023, Imersão, Transparência e Desaparecimento: Uma Estética Paradoxal, A Experiência Sonora: da linearidade à circularidade, Documenta/Sistema Solar
• 2022, Technologically Expanded Perception, TEPe 2022 - Encontro Internacional sobre a Cidade, o Corpo e o Som, INET-md, Faculdade de Motricidade Humana, Universidade de Lisboa
• 2019, O som no limite da consciência, Fundamento e Imersão - ensaios sobre a técnica, Orfeu Negro
• 2019, A emanação da imanência: som e espiritualidade, Livro Cinzento - laboratório 2019, Frente e Verso

Tradução

• 2023, Miranda, J.A.B.d. (2023). The Virtualization of the Archive. In: Jerónimo, H.M. (eds) Portuguese Philosophy of Technology., Springer, Cham.
• 2019, Adeus arquivo: para uma teria dos media de armazenamento dinâmico (Wolfgang Ernst) , Orfeu Negro

Artigo em jornal

• 2025-04-15, O mais antigo imposto à inteligência, Público
• 2024-02-21, O Universo não nos deve nada, Diário de Notícias

Relatório

• 2023-12, PERA/2324/1700109 // Pedido especial de renovação da Avaliação/Acreditação do Mestrado em Produção e Tecnologias do Som
• 2023-07-31, Relatório de Avaliação de Curso (RAC) - Mestrado em Produção e Tecnologias do Som
• 2023-07-31, Relatório de Avaliação de Curso (RAC) - Licenciatura em Ciência e Tecnologias do Som

Website

• 2018, Jonas Runa Research & Artworks, www.jonasruna.com

Artigo em conferência

• LMA driven Dynamic Audiovisuals in a Virtual Reality Live Dance Performance: Ghostdance, MOCO '24: International Conference on Movement and Computing
• 2020-12-07, Sound - Complexity - Incompleteness, CCS2020 – International Conference on Complex Systems
• 2020, Trans-sonority: listening to the silence between science and art, 3CMT - III World Congress of Transdisciplinarity
• 2019-10, There is no thought without feeling - There is no feeling without thought, #18.ART - Of the Admirable Order of Things: International Meeting of Art, Science and Technology
• 2019, Embodying Sound A work-in-progress on technologically expanded performance, ARTECH2019: 9th International Conference on Digital Arts and Interactive Arts

Exposição artística

• 2020, Infodemics (online audiovisual installation at The New Art Fest)
• 2018, Call Center - Electroacoustic Symphony for 168 telephones (Museo Guggenheim Bilbao)
• 2017, Electrolyric Piano Dentelle (Performance at Scheffel Gallery, Frankfurt)
• 2015, Synchronicity - 15 electronic performances at the 56th Venice Biennale, installation -Giardino dell'Eden- by Joana Vasconcelos; 56th Venice Biennale, Swatch Pavilion(Veneza)
• 2013, Solo With Robot Orchestra (Performance at the 55th Venice Biennale)

Composição musical

• 2022-01-01, Achilles and the Tortoise (Cello & Live-electronics), Cello & Live-electronics, 7
• 2015, 1989 (Video Installation)
• 2013, Sylvano Bussotti, for orchestra (music score)
• 2013, Luna Andermatt, for orchestra (music score)
• 2011, Malevich, Concert for Kyma and Microtonal Amplified Orchestra (music score)
• 2011, Echi Colorati, for piano and electronics (music score)
• 2008, Fluxo, for Solo Piano (music score)
• 2007, Il Contrappunto di Specie, for Flute and Electronics (music score)

Obra teatral

• 2019-08-30, Space Invaders (Multimedia Performance with Laser art, Light Art & Augmented reality)
• 2019-07-13, Imaginary Soundscapes (Multimedia Performance for piano, lasers, light art and augmented reality)
• 2016, Suspensão (Performance), Companhia Clara Andermatt, Teatro Viriato, Viseu, Portugal

Arte visual

• RIZOME (2018) (sonoluminescent installation)
• REUNION XXI (2018) (artwork for chess board, sound and light)
• POP GALO (2016) (Sound and Light Installation at 798 Art District, Beijing)
• E = MC2 (2018) (Light Art installation)
• AEGIR (2016) (Sound and Light Installation at ARoS Aarhus Kunstmuseum)

Projeto de som

• 2015-06, COSMIC ENSEMBLE (Music Improvisation Quartet: Jonas Runa, Eddie Prevost, Jin Hi Kim, Spiridon Shishigin)
• 2011-07-03, KHOMUS/KYMA (Duo musical: Jonas Runa & Spiridon Shishigin)
• 2007-08-04, ZUL ZELUB (Duo para piano e música electrónica de arte: Jonas Runa & Jorge Lima Barreto)

Coreografia

• 2015, Novo-Velho Circo: Os acrobatas do desejo (Contemporary Circus), Carrilho, J.
• 2014, Personare, Embodied in Vários Darmstadt 58 (Telematic Dance Performance Portugal/Brazil/Chile), Carrilho, J.
• 2013, Fica no Singelo (Contemporary Dance), Carrilho, J.
• 2013, Dance Bailarina Dance (Contemporary Dance), Carrilho, J., National Ballet of Portugal
• 2012, Dez Mil Seres (Contemporary Dance), Carrilho, J., Dançando com a Diferença

Invenção

• 2020, XSOUND (Sonification software) - registered with the Portuguese Software Association (ASSOFT)

Outra produção

• 2020, Almeida, H.; Carrilho, J.M.; Eloy, S.; Lopes, Rui J.. (2020). Public space and soft mobility flows: a comparative network analysis. URBAN COMPLEX SYSTEMS 2020
• 2012, (CD) Zul Zelub. Ultimaton. Plancton Music