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Presentation
Presentation
The course is organised into two complementary modules, both of which are structured around the premise 'From the real'. Throughout the course, students will develop and produce film works while exploring the relationships between experience, observation, and filmmaking. One of the modules takes the outside world and the encounter with the Other as its starting point, using the surrounding reality and the various forms of otherness as a field of observation and filmic experimentation for analysis and creation. The other module focuses on each student's personal archive, exploring themes related to memory, personal experience, and the intimate or family sphere. The premise 'From the real' thus informs the students' creative processes in both fiction and documentary, while also enabling the exploration of hybrid formats that transcend genre boundaries and incorporate other forms of artistic experimentation.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Master Degree | Semestral | 7
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT501-16996
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
Module led by Victor Candeias: 1. Analysis of the discourse in documentary production. 2. Analysis of the concepts and production methods used in non-fiction films. 3. Characteristics of cinematic approaches in documentaries analysed through "modes theory" (Bill Nichols). 4. Production of film projects with supervised tuition. Module supervised by supervised by Júlio Alves: 1. Examining the scope and limits of the concept of cinema. 2. An introduction to influential figures in experimental cinema, such as Jonas Mekas, Artavazd Pelechian and Chantal Akerman. 3. How can the influence of artistic movements and their contexts be recognised? 4. Creating an individual and organic film throughout the course.
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Objectives
Objectives
1. Develop the ability to construct a film based on observation and reflection on reality subjects. 2. Reflect on the practices and modes of artistic production based on film through practical experimentation. 3. Develop the ability to establish a point of view in relation to artistic, expressive and conceptual aspects of filmmaking. 4. Expand competences for researching, processing and structuring film materials, as well as for developing narrative and formal concepts in the creation of film objects. 5. Develop the ability to structure a coherent narrative and expressive discourse from images and sounds obtained from different sources.
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Teaching methodologies
Teaching methodologies
The presentations of practical work developed and produced in the ambit of the course are open to the participation of teachers from other course subjects in the film BA. The programming of films to complement the classes includes sessions with guest directors, which promotes the sharing of knowledge and experiences aimed to inspire the students' artistic practices.
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References
References
(a publicar no Moodle)
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Assessment
Assessment
Os critérios de avaliação consideram a elaboração e resultado conceptual, narrativo e artístico dos trabalhos práticos executados, a sua adequação relativamente aos requisitos dos enunciados e às matérias abordadas em cada fase de execução, bem como o cumprimento das datas requeridas para apresentações em aula.
A avaliação considera também ponderações quanto à assiduidade e participação nas aulas, ao desempenho e à evolução na aprendizagem demonstrados pelo aluno ao longo do itinerário da disciplina.
Módulo orientado por Victor Candeias :- trabalho prático: 50%
- reflexão escrita sobre o trabalho: 25%
- participação qualitativa nas aulas: 25%Módulo orientado por Júlio Alves :
- exercício fílmico: 50%
- reflexão teórica sobre o exercício: 30 %
- assiduidade e participação em aula: 20 %NOTA FINAL NA DISCIPLINA: corresponde à média das notas atribuídas nas 2 componentes leccionadas. Aprovação na disciplina com nota igual ou superior a 10 valores.
EXAMES: Trabalhos práticos e/ou escritos.
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Mobility
Mobility
No
