filmeu

Class Interdisciplinary Seminars II

  • Presentation

    Presentation

    From the constellation of references to the stabilization of the index, from the composition of the bibliographic corpus to expanded methodologies, this UC is constituted as a laboratory of procedures, techniques and knowledge mediation associated with the conception of a master's thesis.

  • Code

    Code

    ULHT6611-24432
  • Syllabus

    Syllabus

    1. Planning
    1.1. Scientific creation in artistic studies: Laboratory, thought, practice.
    1.2. How to design a work plan? problem circumscription; selection of sources and composition of the bibliographic corpus.
    1.3. Fieldwork: theory and practice.

    2. The Elaboration
    2.1. How to structure the investigation? From the constellation of ideas to the stabilization of the index.
    2.2. Systematize the results, implement models.
    2.3. Finalize: the management of the open.

  • Objectives

    Objectives

    Goals: Relate theoretical knowledge with practical procedures; Encourage critical reflection around the production of knowledge; Develop scientific skills; Deepen methodologies and concepts; Promote disciplinary crossings; Encourage the development and use of reading sheets.

    Expected results (indicators): Develop skills in scientific research: identification, selection, justification and validation of ideas; Identify concepts in reference works, developing theoretical and plastic readings; Rehearse written summaries, duly substantiated and parameterized according to academic standards; Apply knowledge and tools in transdisciplinary research projects.

  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Seminars that combine the expository method with student participation and discussion, along with visits, exploratory exercises and field work.

  • References

    References

    Baudrillard, J. 2008 [1968]. O Sistema dos Objetos. São Paulo: Perspectiva.

     

    Bolter, J., Grusin, R. (2000). Remediation: Understanding New Media. MIT Press. AV/209-BC.

     

    Bruno, G. 2002. Atlas of Emotion: Journeys in Art, Architecture and Film. London: Verso.

     

    Foster, H. 1996. ‘The Artist As Ethnographer’ in The Return of the Real. MIT Press. ART/471 – BC.

     

    Ferrarotti, F. 2003. On the Science of Uncertainty: the biographic method in scientific research. Nova Iorque: Lexington Books.

     

    Simondon, G. 2016 [1958]. On the Mode of Existence of Technical Objects. London: Univocal.

     

    Sloterdijk, P. 2014 [2010]. Morte aparente no pensamento: da filosofia e da ciência como prática. Lisboa: Relógio d’Água.

    Whitehead, A. 1948 [1925]. Science and the Modern World – Lowell Lectures 1925. New York: Pelican Mentor.

     

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