Class Interdisciplinary Seminars II

From the constellation of references to the stabilization of the index, and from the building of the bibliographic corpus to expanded methodologies, this course unit serves as an experimental laboratory through theoretical and practical seminars featuring guests from various interdisciplinary fields, such as food, sound, psychogeography, literature, cinema, painting, visual culture, and media archaeology.

Not applicable

Presentation sessions featuring professionals, artists, and researchers with relevant track records. The presentations should address the following themes: Technical and creative development processes focused on specific works. Critical analysis of works by different authors. The art market and the photographer's relationship with industry agents: gallerists, curators, institutions, exhibitions, artist residencies, and open calls. Masterclasses and workshops with authors who articulate photography with other fields, such as painting, cinema, literature, poetry, sound, design, psychogeography, food, video, 3D, virtual and augmented reality, and sculpture. Field trips aimed at fostering the interdisciplinary nature of artistic creation processes: conferences, film cycles, book launches, showcases, and exhibitions. Critical discussion sessions.

Seminars that combine the expository method with student participation and discussion, along with visits, exploratory exercises and field work.

Baudrillard, J. 2008 [1968]. O Sistema dos Objetos. São Paulo: Perspectiva. Bolter, J., Grusin, R. (2000). Remediation: Understanding New Media. MIT Press. AV/209-BC. Bruno, G. 2002. Atlas of Emotion: Journeys in Art, Architecture and Film. London: Verso. Foster, H. 1996. 'The Artist As Ethnographer' in The Return of the Real. MIT Press. ART/471 - BC. Ferrarotti, F. 2003. On the Science of Uncertainty: the biographic method in scientific research. Nova Iorque: Lexington Books. Simondon, G. 2016 [1958]. On the Mode of Existence of Technical Objects. London: Univocal. Sloterdijk, P. 2014 [2010]. Morte aparente no pensamento: da filosofia e da ciência como prática. Lisboa: Relógio d'Água. Whitehead, A. 1948 [1925]. Science and the Modern World - Lowell Lectures 1925. New York: Pelican Mentor. Nota: Todas as cotas são da Biblioteca Victor de Sá da UL. Outros títulos complementares estão disponíveis no Moodle.  (a restante bibliografia é apresentada por cada convidado(a))