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Class Illustration I

  • Presentation

    Presentation

    This UC allows an approximation to Scientific Illustration techniques, applied to artistic illustration.
  • Code

    Code

    ULHT722-17189
  • Syllabus

    Syllabus

    Scientific illustration - historical background The specific languages of scientific illustration: representation characteristics and techniques Graphical representation strategies in observation drawing from real models: contour, proportion, perspective, figure-ground, chiaroscuro, texture and composition. The importance of sketching and finished drawing. Study of some graphic representation in illustration: experimentation with various media and materials. Practical studies on the representation of different types of scientific illustration: adaptation of the techniques for different illustration types and techniques. Two Artistic Illustration projects using techniques of Scientific Illustration, one being introductory and one of development.
  • Objectives

    Objectives

    To make known the history, context, methodologies and principles used in scientific illustration To present and develop through practical work, the elements of graphic language used in representation in scientific illustration To experiment and develop some of the techniques, graphic mediums and materials commonly used Scientific Illustration To experiment these techniques, graphic mediums and materials in Artistic Illustration projects.
  • Teaching methodologies

    Teaching methodologies

    Active methodologies that articulate theory and practice and the construction of knowledge by students. In addition to traditional classes (expository, audiovisual) on the syllabus , the development of interdisciplinary artistic projects is proposed, involving students in social and environmental issues that go far beyond purely technical teaching. In addition to a permanent attitude of research and enquiry, learning by doing is encouraged. These methods are fundamental in the training of illustration artists, who must also develop a critical thinking about contemporaneity. The evaluation favours the formative dimension, through individual projects. Assessment criteria: Participation, attendance and cooperation (20%); Exploratory work in class or at home (20%); Realisation of an illustration project (60%).
  • References

    References

    Edwards, B. (2004). Color - A course in mastering the art of mixing colors. New York: Tarcher/pinguin. Ravet- Haervermans, A. (2007)The art of botanical drawing - An introdutory guide.Portland, London: Timber Press. Hodges Elaine R.S. (2003) GNSI Handbook of Scientific Illustration. Second Edition. Wiley Publishers. Masironi, M. (1982) Ver pelo Desenho: Aspectos Técnicos, cognitivos, comunicativos. Lisboa: Edições 70 Molina, Juan J. G. & Cabezas, L. & Copón, M. (2005). Los Nombres Del Dibujo. Madrid: Cátedra. Wood, Ph. (1994). Scientific Illustration: A Guide to biological, zoological and medical rendering techniques, design, printing, and disply. New York: Wiley and Sons.
  • Assessment

    Assessment

     

     

    Descrição

    Data limite

    Ponderação

    Avaliação contínua. Critérios de avaliação: participação, assiduidade e cooperação (20%)

    em contínuo

    20%

    Realização de trabalho exploratório em aula ou em casa (20%);

    Realização de um projeto de ilustração (40%)

    avaliações

    intercalares

    e avaliação

    final

    40%

    Teste de avaliação (10%)

    Portefólio (10%)

    avaliação final

    20%

     

    Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...

     

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