filmeu

Class Contemporary Artistic Perspectives V

  • Presentation

    Presentation

    Anthropological, cultural, aesthetic and political study of forms and images in the history of the West from the perspective of the present.
  • Code

    Code

    ULHT722-17316
  • Syllabus

    Syllabus

    Considerations on contemporary art The artist, the system the contemporary art and its agents and spaces. Themes and contemporary issues. Art for the art, political art, institutional critique, western and non-western art everyday life in contemporary art, ready-made, objet trouvé and ownership. Painting. Figurative painting, abstract, site-specific painting and painting in expanded field. Escultura, escultura site-specific e escultura em campo expandido. Sculpture, site-specific sculpture and sculpture in expanded field. Photographic practices Documentary photography, abstract photography, the expanded field of photography, the relationship of photography with painting with sculpture and performance. The performing arts Performance art, Happening e Body Art, The relation performance art with the performing arts (theater, dance, music), poetry, cinema and the visual arts. Video Art and Performance. Between creating and the documentation.
  • Objectives

    Objectives

    Students must acquire fundamental knowledge in the field of art and culture, namely basic knowledge about modernity and contemporary times; know how to establish relationships between social, historical and artistic contexts; develop analytical and critical thinking about cultural and artistic manifestations, at local, regional, national and international levels.
  • Teaching methodologies

    Teaching methodologies

    Classes based on viewing audiovisual works of contemporary art.
  • References

    References

    BARTHES, Roland, A Câmara Clara, Lisboa, Edições 70, 1998 BAUDELAIRE, Charles, O Pintor da Vida Moderna, Lisboa, Vega, 2004 BENJAMIN, Walter, Rua de Sentido Único e Infância em Berlim por volta de 1900, Lisboa, Relógio d¿Água, 1992 DUCHAMP, Marcel, CABANNE, Pierre, O Engenheiro do Tempo Perdido, Lisboa, Assírio e Alvim, 1990 KRAUSS, Rosalind, O Fotográfico, Barcelona, Editorial Gustavo Gili, 2002 MORIN, Edgar, Cinema ou O Homem Imaginário, Lisboa, Relógio dÁgua, 1997  
  • Assessment

    Assessment

    Descrição

    Data limite

    Ponderação

    Trabalho de Investigação:

    Critérios de avaliação: capacidade de articular os vários conteúdos estudados, rigor na informação, qualidade  comunicacional da escrita.

    03-12-2024

    30%

    Apresentação do trabalho em aula

    Critérios de avaliação: Capacidade expositiva e cumprimento do tempo de apresentação pre-definido, rigor da informação apresentada

    10-12-2024

    30%

    Participação nas aulas

    Critérios de avaliação: capacidade de pensamento crítico e de manifestação de interesse e curiosidade, capacidade de incorporar vocabulário específico e conteúdos aprendidos, pertinência nas observações.

     

    40%

     

     

SINGLE REGISTRATION
Lisboa 2020 Portugal 2020 Small financiado eu 2024 prr 2024 republica portuguesa 2024 Logo UE Financed Provedor do Estudante Livro de reclamaões Elogios