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Presentation
Presentation
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Master Degree | Semestral | 4
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT6353-23334
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
History of US and rivalry with the film industry
The history of Portuguese TV and its role in fuelling a new wave of filmmakers
TV as seen through the cinema
Advertising
TV films and serial production
Streaming platforms
The dissemination of film heritage through TV.
Overview of the technological history of TV and its convergence with cinema.
Basic concepts - Formats. Audiovisual file structures.
Audio and video standards and technologies
Best practices - Ecosystems and workflows. Storage. Metadata. Transcriptions. File capture and validation
Legal and ethical considerations
Case studies - The Broadcast Archive and Adapted Content with Audiodescription or Teletext.
Artificial Intelligence in audiovisual archiving
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Objectives
Objectives
The main objective of this curricular unit is to provide students the history of moving images and the technologies that have been key to the development of television throughout the world and in particular in Portugal, which has followed the European EBU/UER standard.
Students will learn the terminology, skills and concepts necessary to acquire the crucial skills to recognize the different cinematographic formats, genres of archival television content, which are transversal from the birth of cinema and TV to the present day.
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Teaching methodologies and assessment
Teaching methodologies and assessment
N/A
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References
References
Barata, Júlio C. (2017). A Re(E)volucão do Vídeo no Cinema e na TV. Lisboa. Edições Universitárias Lusófonas.
Casey, M. 2015. 'Why Media Preservation Can't Wait: The Gathering Storm' IASA Journal 44, pp. 14–22. Acessível em: https://web.archive.org/web/20200906155506/https://mdpi.iu.edu/doc/storm.pdf last Acedido em 2023/08/09
Cocciolo, A. 2017. Moving Image and Sound Collections for Archivists. Chicago: Society of American Archivists.
Cury, Ivan (2011) Directing and Producing for Television: A Format Approach. Oxford: Fourth Edition, Focal Press.
Ernst, W. & Parikka, J. (2012) Digital Memory and the Archive. Minneapolis, MN: University of Minnesota Press.
Hilmes, Michele (2003). The Television History Book. London. British Film Institute
Gracy, K. 2007. Film Preservation: Competing Definitions of Value, Use, and Practice. Chicago: Society of American Archivists.
Poynton, C. (2003). A Technical Introduction to Digital Video. New York: J. Wiley.
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Office Hours
Office Hours
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Mobility
Mobility
Yes
